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Top 10 Rock Songs of All Time

 Music is probably the most personal form of entertainment. "When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come." - Jay-Z. Whether it's Dylan or Jay-Z, good music knows no boundaries. Through British Invasion, Glam, Grunge and the current underground Indie Rock scene, music has come a long way. And one thing we have learned is that no matter how bad the mainstream music may be, there will always be songs that will get us through the night. There will always be great songs and great artists, whatever the genre may be, whatever the sales may be.

This is the list of the 10 Greatest Rock Songs of All Time, which is ranked in alphabetical order by the way because comparing these songs would be like, well, comparing apples and oranges. Included in this list are rock songs, some of which are blended with folk or pop or opera or just plain ol' Rock and Roll. And if you haven't heard these songs, you better get off your rocker and hear them immediately. So here it is, the Top 10 Greatest Rock Songs of All Time (by the way, it's one song per artist):

"BOHEMIAN RHAPSODY"
by QUEEN
(1975)
This near-6 minute, 6-parter epic with abrupt changes in style, tone and tempo, was unusual to rock music. Frontman Freddie Mercury went off to various depths of fantasy and wrote this awe-inspiring piece. The song begins with a multi tracked four-part harmony - all recorded by Mr. Mercury. As the dream-like intro progresses, it slowly transcends into the next part, which is primarily a piano and vocal driven ballad. It is in this part that the speaker explains his tragic situation, that he had "just killed a man" and is facing the consequences. As Mercury sings the rising line "I sometimes wish I'd never been born at all", the song enters a bridge consisting of a brilliant solo by Brian May. The solo soon escalates into an intense, minute long opera part, where the speaker prays to God to be spared of his coming execution. The 180 vocal tracked wall of sound continues in extreme theatrics and leads into the next hard rock/heavy metal portion. By the outro, the speaker accepts his fate and ultimately decides that "nothing really matter". If you're not in awe by the end of the song, you better get your head checked.

"GOOD VIBRATIONS"
by THE BEACH BOYS
(1966)
Brian Wilson's brainchild, "Good Vibrations" quickly topped the charts in both U.S. and UK. But this song wasn't just another number-one hit for the band, it was something more. Recorded during the sessions for the critically and commercially successful "Pet Sounds" album (although not featured in it). Various sections of the song were edited in the form of a musical collage, similar to some of The Beatles' later works, which were influenced by Brian Wilson's works (according to McCartney). The song was a very influential work and inspired pop/rock artists to use unconventional methods/instruments to get the right sound. The song was different from their usual, it featured instruments which were primarily used for Horror movie scores but somehow managed to keep the overall upbeat atmosphere. The song, as the title suggests, gives out "good vibrations".

"HEY JUDE"
by THE BEATLES
(1968)
Paul McCartney, the primary writer of the song, originally wrote it to cheer up John Lennon's son, Julian after Lennon's marriage dissolved. That little ditty soon evolved into this 7-minute ballad composed of pop/rock tunes accompanied by piano and anthemic refrains. McCartney is in the driver seat from the very beginning as he sings his insanely catchy lines backed up by his piano playing. By the end ("na-na-na na..."), the entire band joins in as they continuously sing the four-minute long coda.
Released in late-August of 1968, and selling six million copies the same year, the song instantly met with acclaim and is still held in high regard to this day. The song is not only one of McCartney's best works but is also one of the greatest accomplishments in music history.

"IMAGINE"
by JOHN LENNON
(1971)
John Lennon's dream of peace, loving and a better world. The song was filled with anti-remarks about nearly everything but was, from the words of Lennon, "sugar-coated" and therefore accepted. In this peace-embracing song, Lennon tells us to imagine a world free of pretty much everything and just live "for today". Since its release, the song has been included in a broad array of most influential and greatest songs of all time lists. Lennon conceived of this song on an early morning of 1971, with only his thoughts and a white grand piano surrounding him. "It's not like he thought, 'Oh, this can be an anthem,'" Yoko Ono said, looking back at that morning 30 years later. "Imagine" was "just what John believed: that we are all one country, one world, one people. He wanted to get that idea out." The Beatles breaking up may have seemed like the worst thing ever but at least we got this song out of it. Almost takes some of the blame off Yoko.. almost.

"JAILHOUSE ROCK"
by ELVIS PRESLEY
(1957)
Elvis didn't get the nickname, "The King of Rock and Roll" for nothing and songs like "Jailhouse Rock" pinpoints exactly why Mr. Presley gets the acclaim he has. Sure, he may not write his own songs but would we hear any of Elvis' songs if we didn't hear him singing it or watching him strutting and dancing along to it? The answer would be a big 'no'. And for reasons clarified above, I just had to include one of his songs on the list. The more obvious choice would be his hit single from 1956, "Hound Dog" but "Jailhouse Rock" is more, what's the word, rock and therefore, is listed instead. 'Jailhouse was released in 1957 to coincide with the movie of the same name, which stars Presley as well. The song was originally written in a more humorous (tongue-in-cheek sort of) light, but what does Elvis care? He sang it with a raw, absolute rock and roll type voice, although the humor is still audible (one of my favorite lines being: The warden said, "Hey, buddy, don't you be no square
If you can't find a partner, use a wooden chair"
) The song was the tenth Top 10 hit for Elvis, the first being just a year ago, and went on to become a US #1 Hit for 7 weeks in the fall of 1957. The song become, much like Presley himself, a sensation. Unless you're blind or deaf, you have no excuse to not like Elvis Presley. He is, as his title suggests, The King.

"JOHNNY B. GOODE"
by CHUCK BERRY
(1958)
Chuck Berry was the black equivalent of Elvis Presley (or was Elvis the white equivalent of Chuck Berry?) But unlike Elvis, Berry wrote his own classics and played his own tunes. "I just wish I could express my feelings the way Chuck Berry does,"' Presley once confessed. Back in the 1950s, Berry was making hit records left and right. He played a pivotal part in the development of the music as well as the attitude and image that goes along with rock and roll. And "Johnny B. Goode" was the cornerstone of his career. Berry proved that he was not only one of the greatest guitarist but also a talented songwriter. The song tells of a "little country boy named Johnny B. Goode", a character written in an autobiographical light. The song is one of Chuck Berry's most famous recordings, it has been covered so many times that it's beyond count and has received several honors and accolades. It is also considered to be one of the most recognizable songs in music history.

"LIKE A ROLLING STONE"
by BOB DYLAN
(1965)
Bob Dylan's masterpiece song from his masterpiece album. In the song, Dylan went all out with his beautiful poetry, guitar playing and harmonica. An unconventional hit at the time, the lyrics of the song isn't about love but about a woman who has lost everything and everyone in her life. The song depicts a depressing and ironical tale of a woman (Miss Lonely) who has, up until now, taken the easy way out, gone to the finest schools and had high-placed friends, but has now fallen from grace and is in an unfamiliar world where she has to be "scrounging" for her "next meal". In contrary to the themes of the song, it went on to become number two in the US charts (held back by The Beatles) and became a worldwide hit - all with the acclaim Dylan constantly receives from the critics, except this time everyone could tell this was something great, even greater than his previous works. Paul McCartney remembered going around to John Lennon's house in Weybridge to hear the song. According to McCartney, "It seemed to go on and on forever. It was just beautiful ... He showed all of us that it was possible to go a little further." More than 40 years since its release, "Like a Rolling Stone" remains highly regarded and is still frequently covered by popular artists, varying from The Jimi Hendrix Experience to (ironically) The Rolling Stones to even Green Day.


"(I CAN'T GET NO) SATISFACTION"
by THE ROLLING STONES
(1965)
The 'Stones really made it with this song, which is arguably their breakout hit. Emerging from The Beatles' shadows, the Rolling Stones proved they're not just some other band in the British Invasion movement of the 1960s. With Keith Richards' throwaway three-note guitar riff and Mick Jagger's lyrics telling us of frustration and the absence of satisfaction, the song became an instant classic. Though driven with just Richards' riff and Jagger's singing, the song does just as much for rock and roll in under 4minutes as Elvis did in all his career. Jagger has said of "Satisfaction": "It was the song that really made The Rolling Stones, changed us from just another band into a huge, monster band... It has a very catchy title. It has a very catchy guitar riff. It has a great guitar sound, which was original at that time. And it captures a spirit of the times, which is very important in those kinds of songs."

"SMELLS LIKE TEEN SPIRIT"
by NIRVANA
(1991)
It took just "three fine, young men from Seattle" to completely change the face of music forever, that too with just one song, that is 1991's smash hit, "Smells Like Teen Spirit". Everything about this song is just classic; the guitar, the drumming, the bass, the lyrics, the video, it was one of those songs that just came out perfectly. Look past the aftermath (which was far from perfect) and the thousand times the record was played, the song is revolutionary, even to this day. "Smells Like Teen Spirit" is utterly flawless from start to finish, from four jaunty chords to the pitch-perfect bass and drums that follows to the Cobain's slurred and often screaming vocals that confuses listeners all the way to the dramatic end, in fact one Geffen promoter recalled that people from rock radio told her, "We can't play this. I can't understand what the guy is saying." The song was originally written as a somewhat joke, that is to write "the ultimate pop song" and  "basically rip off the Pixies", a band Cobain had idolized ever since he started listening to them. With all intentions aside, "'Teen Spirit" is probably the best record to be made since the '60s ended. The song alone kick started the Grunge movement and created a buzz that is still roaming around in the music scenes of today. Nirvana, with the aid of producer Butch Vig, created an "anthem for apathetic kids" of Generation X that played on various levels. The song has been played so many times on so many stations that makes me wonder how badly the original record is bruised. And in contrary to popular beliefs, Cobain stated in 1994 that he still likes playing the song. With all it's legacy and imitations, it makes you wonder: Is it a Gift or a Curse? ... Gift, it's definitely a Gift.

"STAIRWAY TO HEAVEN"
by LED ZEPPELIN
(1971)
Ever since 'Stairway, every epic anthem has had the misfortune of being measured by this song's standards and thus, failing in doing so. Led Zeppelin's classic, "Stairway to Heaven", is a tough one to measure up to. Conceived in a remote cottage (used as a retreat by the band) on the early 70s and has been showered with accolades ever since. Page said the song "crystallized the essence of the band. It had everything there and showed us at our best. It was a milestone. Every musician wants to do something of lasting quality, something which will hold up for a long time. And I guess we did it with 'Stairway.'" The song is 8 minutes of perfection, with brilliant performances from every 4 members, the song even managed to sound well when reversed! By the last few minutes, the song morphs into Jimmy Page's Heavenly solo backed up with a rocking groove. The song ultimately climaxes into the faster, hard rock finale and after that comes a quiet, couple-of-seconds worth epilogue and by then you're bound to turn into Keanu Reeves and be like, "whoa".

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Top 10 Graphic Novels of All Time

 The second entry of my Top 10 series and this time around it's the Ten Greatest Graphic Novels. And before I start off this list, I must inform you that only publications of DC or MARVEL Comics are listed. Whether you're at the age of 5, 15 or 50, comic books have played a huge played a huge part of your life (admit it!) For me it started out as a childhood fascination and now I see it as a valid art form.

Well, here is my list of the the 10 Best Graphic Novels of All Time, some entries will be obvious and some may be obscure but one thing they all have in common is their greatness. And if you're planning to get into comics, these entries will serve as the best starting points. It should be noted that over 90% of this list is composed of comics of the 1980s. So anyway, without further ado, here is the list as follows:


10. "X-MEN: GOD LOVES, MAN KILLS"
(1982)
The first entry in the list goes to the X-Men's "'God Loves, Man Kills". The graphic novel is often overlooked but it's a masterwork nonetheless. Following the Dark Phoenix Saga, the X-Men come full-circle and face their greatest (non-mutant) foe - Man. But this time around it's Reverend William Stryker who sets out to kill anything related to the word "mutant", whether the victims are our beloved team of mutants or Stryker's very own son, the man will stop at nothing. The comic not only was a major influence on X2 but is also one of the first time super-villain, Magneto forms an alliance with the X-Men to fight a common foe. It is one of the most clear-cut examples of X-Men comics using mutant relations as a metaphor for real life race relations as well as being a general critic of prejudice. The graphic novel is a powerful tale of prejudice and is filled with great and striking moments and not to mention, some haunting imagery.

09. "MARVELS"
(1994)
The grittiest (and most depressing) publication of MARVEL since Gwen Stacy's death. The story follows photographer, Phil Sheldon as he (and the rest of the world) witness the inception and ultimately the deception of, what he calls, "Marvels". This four-issue graphic novel makes us relive the great and infamous moments through out the Marvel Universe except from a (very) different point of view, that is the POV of the often dim-witted, short-tempered, ignorant and ungrateful public. The story channels the history of MARVEL comics from the beginning of the Golden Age up to the Bronze Age. No MARVEL comic before or since quite captured the realism, the grit and the humanity of the superheros' world so well. Sometimes the most negative and depressing story telling makes for a great novel and not to mention, it makes for a Hell of an enjoyable read!

08. "BATMAN: THE LONG HALLOWEEN"
(1996-1997)
Batman, DC's knight in shining armor, never had an adventure as nail biting as the mystery of the Holiday killer and all surrounding it. The graphic novel centers around a noir-ish story and with a rather Gothic twist on the gangster/murder mystery plot. The story as it develops is so nerve-racking and twisted that you almost forget that it's about a guy in a bat-themed costume. The comic features all our beloved characters each with their own little sub-plot to go along with the ride. Writer Jeph Loeb deserves extra credit not only for creating a striking and original storyline but also for breathing new life into some fading and uninteresting characters (*cough*Calendar Man*cough*) 'The Long Halloween is a roller coaster of a ride, with twists and turns in every corner and is packed to the brim with memorable moments and striking visuals. By the time you finish this 13-issue tour de force, you will be left screaming for more - that's were Dark Victory comes in. But even without it's sequels, 'The Long Halloween acts as a great standalone piece as well.

07. "BATMAN: THE KILLING JOKE"
(1988)
A classic Batman tale courtesy of comics' great legends, Alan Moore and Brian Bolland. The Joker, the main character for a change, breaks out of Arkham Asylum (yet again) but this time sets out with a major goal, that is to drive everyone as insane as he is. The story tells of the origins of the Clown Price of Crime (which is widely accepted in the DC cannon), who as it turns out used to be an ordinary guy and was ultimately driven to his now-known insane persona. The graphic novel really left it's mark on the DC Universe, with all it's bizarre moments that would leave your mouth open for a while (either in laughter or in awe). In all his years since 1940, The Joker or the Batman franchise never looked so disturbing as it did in Alan Moore's masterpiece, The Killing Joke.

06. "ARKHAM ASYLUM: A SERIOUS HOUSE ON SERIOUS EARTH"
(1989)
In this beautifully painted gem of a comic by Grant Morrison and Dave McKean, we get to see the inside of the dreaded Arkham Asylum and subsequently inside the mindset of the criminally insane inmates. The graphic novel is much like Lewis Carroll's Alice in Wonderland, only much more violent and demented than one can possibly imagine. The story follows the inmates of 'Arkham who have taken over the facility and taken several hostages on April Fools Day and led by, none other than, The Joker, who wants nothing in return but for Batman to join in (what a delightful fellow!) And not to mention convincing Batman that he is utterly insane, after all he is dressed up like a flying rat. This twisted Batman tale was groundbreaking to say the least, composed of darkly demented imagery and an atmosphere that is downright creepy. It also kick started a whole new trend of lettering treatment thanks to Gaspar Saladino's distinctive lettering work, giving characters their own fonts, and lending the Joker's dialogue an ink-spattered manic intensity. The practice of giving characters customized lettering treatments has since become widespread, especially in DC's VERTIGO line and many Marvel comics. Through it's innovative ways of capturing the atmosphere, the novel strikes a major chord. It is as unsettling as it is beautiful.

05. "BATMAN: YEAR ONE"
(1987) 
Perhaps the definitive Batman comic, Frank Miller's Year One depicts the realism and the actual shit our beloved hero has to go through. After portraying the flawed future of Gotham, Frank Miller goes back to square one and shows us of the origins of the Caped Crusader like never before. There has been several retelling of the Dark Knight's origins before and after Year One but none will sum up to the sheer brilliancy and relevancy of this particular graphic novel. The absence of any major villains doesn't mean Batman can catch a break. This time, the entire of Gotham City backed up by a trigger-happy SWAT team is out to catch the Bat after misunderstanding his aims. It is perfectly written as well as drawn without a single flaw. It remains to this day, not only a much significant Batman comic but also one of the most important comics ever written.

04. "V FOR VENDETTA"
(1982-1989)
Alan Moore's classic "V for Vendetta" tells of the dystopian, post-apocalyptic, in other words, fucked-up future of the United Kingdom, which by the way is ruled under a fascist regime. In the wake of all this, V (a mysterious vigilante dressed up in a cloak and Guy Fawkes Mask) sets out to bring down the government, convince the people to rule themselves, oh, and murder his former captors - all these are not just a long list of "To-Do"s but also a Hell of a lot fun to watch. Whether V is a hero fighting for a cause or simply insane, one thing we do know about him is that he is just "an idea" - An idea of anarchy, freedom and revolution, and the inevitable violence that comes with. Though written as a stab at right wing politics of the 80s, it is as relevant and powerful at any era and/or culture. And yes, the comic is as awesome as it seems.
 
03. "THE SANDMAN: PRELUDES & NOCTURNES"
(1989)
Dream (left) and his sister, Death
Neil Gaiman's gothic tale of the King of Dream, Morpheus of The Endless and his downfall. Sandman is not only one of VERTIGO's best publications but also one of the best reads of the modern age, as frequently stated by critics. And Sandman's first volume, "Preludes & Nocturnes" will serve as the 'gateway drug' to the Sandman universe. It starts out with the story of a man obsessed with capturing Death but mistakenly captures and ultimately imprisons her brother, Dream instead. This angle opens the "More Than Rubies" storyline that keeps on escalating until all Hell breaks loose. The comic features numerous shout-outs and cameos from various DC characters, with the villain for the second half of the story being a character of JLA fame. Gaiman's dark masterpiece is, from start to finish, pure genius.


02. "THE DARK KNIGHT RETURNS"
(1986)
Clearly the most significant Batman story there is and Frank Miller deserves all the credit in the world for it. Taking the Dark Knight out of his then-dominant camp image was indeed a difficult task to do but Miller pulled it off better than anyone expected. Who would have thought that one of the greatest graphic novel would be centered on a character that formerly go-go danced whilst fighting crime? (yes I had to mention that) This four-issue comic single-handedly shook all the camp out of Batman and brought him back to his dark roots. Miller portrayed the Caped Crusader in a completely new light - as a weak and vulnerable old man. Seeing as how bizarre and appalling Gotham City has become, 55-year-old Bruce Wayne plans to come out of retirement and don the Batman costume once more. But coming out of retirement isn't as easy as it sounds and poor Mr. Wayne had to find that out the hard way. After not adding to value that he is now an "unqualified menace" and is as irrelevant as the League of Nations, Batman quickly faces opposition from the Gotham City police force as well as the US government. The Bat faces as much difficulties leaving as he did when he first arrived.

The graphic novel is brilliantly made and is largely responsible for changing the face of comics. And I feel as though if I continue writing about this comic, I'll regret not putting it on the No.1 spot even more.
And Speaking of the No.1 spot...

01. "WATCHMEN"
(1986-1987)
Alan Moore and Dave Gibbons' magnum opus, Watchmen redefined superhero comics and everything related to comics. The graphic novel is covered with layers of beautifully detailed artwork and gripping storylines. As I've mentioned before (see No. 09), sometimes the most negative storytelling makes for a Hell of an enjoyable read, and that is exactly what Watchmen is. The initial premise for the series was to depict what superheroes would be like "in a credible, real world". As the story became more complex, Moore said Watchmen became about "power and about the idea of the superman manifest within society." Set in the 1980s, although the story skips through space, time and plot. Centers around the death of renowned superhero, The Comedian, which leads to his former team-mate Rorschach snooping around until he stumbles upon a plot to murder the remaining superheroes.

Filled with memorable characters and mysteries surrounding nearly all of them, Watchmen is a complex thriller that will keep you hooked until there is no page left to read. It was the only graphic novel to appear on Time's 2005 All-TIME 100 Greatest Novels list. There's no denying the influence the twelve-issue comic had. Watchmen is made to perfection.

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Top 10 Science Fiction Movies of All Time

 Sci-Fi - only the most creative, geekiest and down right craziest way to portray one's imaginations; whether it depicts the dawn of time or the dystopian future (or what's left of it). From a mainly low-budget B-movie status to mainstream success, the genre has come a long way. The beloved genre has had it's fair share of Plan 9 from Outer Spaces bumps on the road but always manages to strike back.

The genre teaches us that a galaxy is never too far away to have intergalactic battles or never to trust a machine (other than Arnold Schwarzenegger, that is) or that roads aren't necessary needed in the future, and who here didn't take precautions when approaching numerous alien eggs. When it comes to science fiction not even the sky is the limit, for you often see all these spaceships channeling the galaxy. Aliens, robots and alien robots, all have homes in the science fiction realm.

So here it is, The 10 Greatest Science Fiction films of All Time:

10. "THE THING"
(1982)
Not to be confused with the superhero of the same name or the Addams Family character or the film's 1951 predecessor or the 2011 successor.
Director John Carpenter struck gold yet again when he made the second and more faithful adaptation of the book, Who Goes There? The film blends science fiction and horror, which proved to be a great combination by the likes of "Alien" a few years back. The title refers to the antagonist of the story: an extraterrestrial parasite that infiltrates other organisms and takes it's form for reasons that could only point to the fact that it is an asshole.

09. "JURASSIC PARK"
(1993)
This landmark sci-fi/adventure film directed by Señor Spielbergo's American equivalent, Steven Spielberg
left it's mark on children and adults alike since it's release back in the summer of 1993 (yep folks, the movie is nearly 20 years old). Built around a plot that is pure science fiction yet believable, the film takes us on a roller coaster ride through dinosaurs, dinosaurs and.. did I say dinosaurs? The film works on so many levels and genres: other than sci-fi and adventure, it also checklists thriller, action and even horror. Not only does it work well as a survival tale but also tells us of the touching story of the Tyrannosaurus and his attempts of devouring everything in it's path.

08. "ALIEN"
(1982)
Eww.
"In Space, No One Can Hear You Scream"- Yup, pretty much wraps up the entire movie (and subsequently the entire franchise). This movie's got everything! Great scares, great effects, great acting, great designing, great characters, great tagline, great poster and not to mention, it's a great movie. It's a brilliantly made outer space/slasher-ish adventure from start to finish and is bound to leave you Screaming (too bad In Earth, Every One Can Hear You Scream). The film is jam-packed with scares of all sorts (most notably jump scares), there are moments in the film that are still frightening to this day, which is more than 30 years from the time of release. The film is so jaw droppingly gorgeous that you might find that another mouth will come out your mouth in awe! and I'm not exaggerating, if any it's an understatement- okay, that was exaggerating. This quotation sums it up well:

Ripley: How do we kill it, Ash? There's gotta be a way of killing it. How? How do we do it?
Ash: You can't.
Parker: That's bullshit.
Ash: You still don't understand what you're dealing with, do you? Perfect organism. Its structural perfection is matched only by its hostility.


- Yup, that about sums up the movie well.

07. "TERMINATOR 2: JUDGMENT DAY"
(1991)
This film is so good that I regret having to put it so away from the 1st rank. But I have my reasons, e.g. this movie is action first, science fiction second and there are better and more influential science fiction movies. Nonetheless, this movie has become a favorite of mine since my early childhood and I've been watching it ever since (with a minimum of once a year schedule), as a matter of fact, I've viewed it so many times that I've lost count. Since T2, I haven't heard of a single science fiction/action movie that could tear one up emotionally as the ending of this film did, I mean seriously? Who knew an Austrian sounding, emotionless robot could mean so much to you? Well, as you can clearly see, this film means a hell of a lot to me and if someone were to tell me that he/she didn't watch this movie, this would be my exact reaction: ['POSSIBLE RESPONSE: YES/NO; OR WHAT?; GO AWAY; PLEASE COME BACK LATER; FUCK YOU, ASSHOLE; FUCK YOU']

06. "BLADE RUNNER"
(1982)
Loosely based on revolutionary science fiction writer, Philip K. Dick's book that not only raises a good question but also gave birth to one of the greatest movie of all time. Harrison Ford, who is no stranger to the sci-fi genre, stars as Rick Deckard
a "blade runner" who is (constantly chasing after what is known as) a replicant and then there is the antagonist Roy Batty, the highly intelligent leader of the Nexus-6 replicants. The film puts science fiction and noir in the mix and as a result we get a once-in-a-lifetime type masterpiece, which is as dark as it is bleak.

05. "BACK TO THE FUTURE"
(1985)
Great Scott! How could I not include Back to the Future? This beloved 80s flick not only stands the test of time but also stands any other test given to it. Spawned two equally great sequels (in it's own right) but the original will always be, well, the original. Starring Michael J. Fox and Christopher Lloyd, both of whom may have already mastered the TV domain but will always be known as Marty McFly and the crazy Dr. Emmett Brown in our hearts. After two sequels, an animated series, a theme park ride and several video games, the film is still as strong as it first came out in 1955 1985, that's heavy!

04. "STAR WARS EPISODE IV: A NEW HOPE"
(1977)
Star Wars, George Lucas' epic space opera kick started not only several actor's career but also a generation of imitations, recreations and a string of endless pop culture references. You can take that in a positive or a negative sense, but there's no denying the cinematic influence the original trilogy had on directors or nerds, Hell, even normal people!
With all it's geeky-ness aside, the film remains one of the most culturally and historically significant film ever made and behind your skepticism, you know you love the movie too! Whether it is an excuse to dress up extravagantly for Halloween or a major influence on film makers, 'A New Hope remains one of the greatest movies of all time.

03. "A CLOCKWORK ORANGE"
(1971)
Stanley Kubrick's dystopian masterwork paints a picture of the most vilest and repulsive kind. The story follows Alex (DeLarge), who, thanks to actor Malcolm McDowell, is hard to despise/sympathize for. Think of the worst person you can possibly imagine and that's Alex for you. He literally cares for nothing except himself (and Ludwig Van), it's only poetic justice what they do to him (see above). Well, in spite of all the negativity featured in the film, the film is one of the greatest and most beloved movies ever. The movie is sheer genius and displays Kubrick at his best and though it was largely snubbed at the Oscars, it managed to pick up several accolades years after it's release and not to mention, it gave a new spin to the way we heard Singin' in the Rain or anything Beethoven. Thanks 'Clockwork! You've scarred me for life.

02. "STAR WARS EPISODE V: THE EMPIRE STRIKES BACK"
(1980)
One of the greatest sequels ever, one of the greatest films ever, one of the greatest anything ever! Most of the things you remember from Star Wars is from this film: Yoda, Boba Fett and not to mention [SPOILER ALERT for those who have been living under a rock for the last 30 years] the "I AM YOUR FATHER" and "I love you/I know" reveal.
Much darker in contrast to the "feel good adventure" theme of the original. The film's got love, betrayal, lightsaber duels, hand-severing, parental revelations, carbonite-freezings, cliffhangers (anything I missed out?) And in case I haven't already stressed it enough, the 2nd Act of Star Wars is undeniably the best the franchise has to offer. Nothing can top this, at least not in the Star Wars cannon.

AND THE NO.1 SPOT GOES TO (IF IT WASN'T OBVIOUS ENOUGH):

01. "2001: A SPACE ODYSSEY"
(1968)
Much like the main character Dr. David Bowman you will be taking a trip through deep space, that involves innovative uses of photography to create visual effects and disturbing sequences while you will be noticeably stunned at what you're experiencing. 2001: A Space Odyssey is, as the tagline best describes it, "an epic drama of adventure and exploration". It was thanks to this film that the Science Fiction genre was taken more seriously and not to mention, the movie single handedly disassociated the genre from it's "low budget, B-movie" image and paved the way for several classics to come. The film also works incredibly well as a thriller or even (as AFI puts it) "a cheer". The film is utterly perfect in all it's aspects, from some of the most memorable scenes to some of the most memorable lines.

Well, that was the Ten Greatest Science Fiction Movies, the first of the Top 10 genre films. So, stay tuned for the next Top 10 entry and to quote '2001, "See you next Wednesday".

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The Best Seasons of the Past 25 Years

 TV is, to quote one Homer J. Simpson, "Teacher, mother, secret lover!"—Those are the words that best describe Television, and what it means to us viewers. And being one rabid, 'stick-through-thick-and-thin' fan as myself (and with too much time in my hand), I just had to make a list honoring the best seasons of shows that have Always Been There for Me or helped me be The Master of My Domain.

"But sir", you inquire, "what does this photo have to do with anything"? Nothing. I just felt like sharing it. Anyways, what was I suppose to talk about? Oh! right, the Greatest TV Seasons of the Past 25 Years (that's 1986-2011 for those who aren't well acquainted with Rocket Science). I was initially going to rank them in an order but it seemed too hard - Y'know the old "Apples and Oranges" case. You don't normally see lists of best seasons, which I feel is a tad bit ridiculous. For you see lists of like "Greatest Albums of All Time" or what-not but you don't see lists of best seasons. And how different is an album from a season? They are both compilation of tracks/episodes, they are both mainly released/aired from a certain time, they showcase the band's/show's work. So, that's why I feel seasons should have the honor of having lists or what-not.

Oh and by the way, I did you the favor of including ONLY ONE season per show (you're welcome!) and I didn't include some seasons by otherwise great shows as they didn't necessarily stand-out above the rest (sorry, Monk). Some of the seasons are clearly better than others so anyone in the right mind can distinguish between them, but to be fair I put the list in alphabetical order. So without further ado, here are the Greatest TV Seasons of the Last 25 Years as follows:



"ARRESTED DEVELOPMENT" 
[SEASON 2]
It was pretty difficult for me to pick ONLY ONE season (curse that handsome man who made me pick ONLY ONE season!) but when it comes down to it, Season 2 is the way to go. The second season struck gold with it's sharp wit and jokes that would have you laughing for days. I, for one am still laughing at these jokes today (HELP ME!) The season features some of their best episodes, such as Aftenoon Delight, Good Grief, Sword of Destiny and Righteous Brothers. It may not have their definite best episode or the fan/Jason Bateman's favorite but this is the one where it all came together.. further more. So, this is the season I'm gonna go with and I have zero to no regrets.. maybe, a few regrets... okay, it might be more than that... "I've Made a Huge Mistake".

"DEXTER"
[SEASON 1]
"Dexter Morgan, a serial killer of serial killers", that concept alone deserves a spot in this list. The first season was a grotesque-masterpiece, with hooking story lines that keeps on escalating into a climax that is as emotional as it gets. In this season, the show went all the way with the action, murder and suspense-everything that makes the show what it is.. well that and Michael C. Hall. Hard to believe the guy that's cutting up pieces of people and throwing it into lakes is the same guy that went around making-out with a bald, black man...  Not that there's anything wrong with that.


"EVERYBODY LOVES RAYMOND"
[SEASON 4]
The show's title pretty much speaks for itself, and they weren't kidding. Everybody Loves Raymond might as well be the greatest family sitcom since the 1970s ended, and I wouldn't feel right if I hadn't included a season of this show. It was either this one or the seventh season, which was a classic as well. This season's main arc focused on Robert for a change, and his bull related escapades. The season gave us stand-alone classics like "The Can Opener" and "Bad Moon Rising" and heartwarming moments every now and then.

"FAMILY GUY" 
[SEASON 2]
Once you look past the blatant-Simpsons-rip-off-ery, Family Guy is actually quite a good show. With a fast pace (that's often hard to keep up with) consisting of non-stop barrage of jokes and gags, the show proved against all odds that they had what it takes. And this is back when Stewie was more evil than gay and Brian was more loveable. The season includes some of their best episodes such as Da Boom, Death Is a Bitch, Road to Rhode Island (the first of the Road to... episodes), Let's Go to the Hop and E. Peterbus Unum, among others. The show doesn't have the cult following it has for nothing; it was cancelled twice before being brought back as one of FOX's biggest shows, that's power!


"FRASIER" 
[SEASON 2]
Aah Frasier, probably the classiest sitcom ever to be made. But that's where the comedy of the show lies: the intellectual, white-collar Crane brothers aren't who they appear to be. Once you have viewed their episodes, you'll realize that they have about as much as class as The Beverly Hillbillies. This Emmy Award Winning season of the show was as brilliant as a season can be, including one of my favorite episodes ever "The Matchmaker" which was ranked as the one of the Greatest Episode of All Time by TV Guide in 1997. With such loveable and charming characters and laugh-out-loud moments, this show might as well be the Best Sitcom of All Time, If not it still raises a pretty good argument, which brings us to the next entry...

"FRIENDS"
[SEASON 2]
What a "complete coincidence" that another second season of a comedy series is included, but this time around it's the 2nd season of "Friends". This one was a bit of a hard decision, too; I wasn't sure whether to give this or the first season or the fourth season. But it's a safe bet to make that Friends' second season was their definitive and best season, including classics like The One with the Prom Video, The One with Five Steaks and an Eggplant, The One Where Heckles Dies and The One Where Ross Finds Out, all of which have been ranked as one of the show's most popular episodes in an NBC poll in 2004. With episodes like these under it's belt, it is quite obviously their best season.

"FUTURAMA"
[SEASON 3]
Futurama holds such accolades like the Guinness World Record for "Current Most Critically Acclaimed Animated Series", 10 Emmy Award nomination (winning 5) and dozens of other awards, all in a matter of 10 years less than 10 years. Much like Family Guy, FOX cancelled Futurama only for it to be brought back (in the same channel as South Park) as strong as fans last remember and picking up another Emmy on the way.
Now to pick a particular season for a show like this was a difficult process, involving lying on my ass and watching their episodes. But enough of my struggles, Futurama's third season stands out easily among their seasons, mainly because nearly all their greatest episodes are from here (Amazon Women in the Mood, Parasites Lost, the heartbreaking Luck of the Fryrish, Anthology of Interest II, Godfellas and not to mention, their best episode Roswell That Ends Well). This is probably my favorite animated season/show (next to The Simpsons).

 "LOST"
[SEASON 1]
 Now this was some season! Blending Drama with Action and Adventure and Science Fiction and with Mysteries coming up every now and then in every corner, Hell! they even managed to find Romance. With the central plot of being stranded in an island - What could go wrong? Nothing. In the first season, the show was absolutely perfect. It's a never-ending, action-packed survival tale that seemed to be missing on Television since The Prisoner, which by the way was a major influence in the show. The show raises more questions than the writers can possibly answer and that is exactly what I love about the show. Comparisons can also be made to The Twilight Zone, which only adds to how awesome the show is. The season goes overboard with every weapon in their arsenal and doesn't hesitate to show it off. Sometimes, the best kill is overkill - And that's Lost for you.


"THE OFFICE (US)" 
[SEASON 2]
For those who were left screaming for more after only 6 episodes in the first season, The Office's season 2 seemed like the greatest thing ever. The show is a remake of the hit UK series, but ended up as a much bigger hit. After unfavorable reviews to the pilot, the show reversed everyone's opinion from the second episode onwards, with surprisingly original and clever writing making the show one of the best comedy series on Television and not mention, this is probably the only good remake of a TV show. The second season, in particular, showcases everything the show is known for and makes it even better. With romance and several other tension in the air, the characters often find themselves blinded and oblivious to what's actually going on - Which especially seems to be the case in every minute protagonist/antagonist Michael Scott is on the screen.
This was one hell of a season, with a perfect balance of comedy and drama (mostly comedy), The Office easily became one of America's favorite shows.

 "PSYCH" 
[SEASON 4]
"Wait for iiiiiiiiiit..."
Psych is one of my most beloved shows. The show often relies on the actor/character's charms and I wouldn't have it any other way. The dynamic duo, consisting of "psychic" detective Shawn Spencer and Gi Buttersnaps Burton Guster, both of whom often revert to childish behavior and pop culture references (most of which goes out to the '80s).
The fourth season of the show had some strong episodes, several of which were often theme episodes that the show clearly loves to do. It had the first Despereaux episode, Shawn Takes a Shot in the Dark and what I (and most people) think is their best episode, Mr. Yin Presents....
This was indeed a great season ("You know that's right")
Final thoughts on the season: "I like it. I like it very much."

"SEINFELD" 
[SEASON 4]
Seinfeld's Season Four, probably the greatest season of all time. As a matter of fact, the season is so great that words won't do it justice. This is the show's breakthrough season, with ratings through-the-roof and four Emmy wins (including Outstanding Comedy Series), the show was unstoppable to say the least. (With the aid of this season) Seinfeld easily set the bar for comedy shows to a new high and The Contest is probably the greatest episode of all time. And if you think I'm exaggerating, just go watch the season (again) and prove me wrong! This season was "was real, and it was spectacular."

"THE SIMPSONS" 
[SEASON 4]
TIME refered to the show as the TV equivalent of Sgt. Pepper's Lonely Hearts Club Band (see right) and it is most likely true. And seeing the show make an appearance on the list should come as no surprise. Over the years, The Simpsons has made several great seasons (most of which would go out to their golden era) and the finest of these would have to be Season Four. Calling their 4th season 'great' would be an understatement. With so many instant classics (Mr. Plow, Marge vs. the Monorail, Last Exit to Springfield, Krusty Gets Kancelled.. I can go all night) under one season, this was the defining moment of the Simpsons' golden age. This is actually my favorite season of all time (tied with Seinfeld's 4th season). There is no other word but 'masterpiece' that describes the season.



"SIX FEET UNDER"
[SEASON 1]
"Dexter Morgan, a serial killer of serial killers"
Six Feet Under's first season compelled it's viewer's to understand about Death and it's consequences. It was deeply dramatic and surprisingly entertaining,
and very different from everything else on TV.
But strangely, the show never gets too depressing (well, maybe aside from the Pilot) with the occasional comic relief and always has the right elements to keep viewers hooked in. The show centers around the ensemble cast of the Fisher family and those surrounding them. Hard to believe the guy who is around dead bodies all day is the same guy who went around cutting up people... Wait a minute, it's easier to believe the second time around.

 "THE SOPRANOS"
[SEASON 1]
Another HBO entry. The Sopranos' first season was absolutely brilliant, I would go as far as to compare it to greatest mafia movies ('Godfather, GoodFellas), it's that good. The show kicks off with a bang (more like a thud), ends with a [SPOILER] and changing the face of Television on it's way. This is one of those rare shows that are just perfect; interesting and often lovable characters, great writing/acting/directing, it even had ratings and awards on it's side. The Sopranos tells the tragic/triumphant story of Tony Soprano, our flawed/anti-/tragic/ hero(ic sociopath), who is the crime boss of the DiMeo family in the waste management business. As viewers we can't help but support Tony as he goes along killing people while on his daughter's college trip or killing off his [SPOILER]s or - well, you get the gist of it.

"SOUTH PARK" 
[SEASON 10]
South Park is a, well, unique show to say the least. It is probably the only show ever to air that is literally afraid of nothing and is ready to break any barriers  necessary. The tenth season of South Park continued to do what it does best - making fun of everything and everyone until nothing is sacred. Whether it is a fan/critical favorite or on religious black lists, South Park remains one of the greatest shows ever and the 10th season displays just how great the show is.

"TWIN PEAKS"
[SEASON 1]
There never was a show that was as unsettling as David Lynch's dark masterpiece, Twin Peaks. This bizarre show's genre checklists drama, supernatural, psychological thriller, (bit of) horror, surreal humour, all with a mystery attached to it. The untimely death of Laura Palmer causes us and FBI Special Agent Dale Cooper to dig up whatever bones the seemingly happy town of Twin Peaks buried not too long ago. While uncovering the truth, nearly the entire town seem to be connected to or dragged into the investigation. On a lighter side, agent Dale Cooper gets to obtain all of his beloved pies and a "damn fine cup of coffee", although that's not much of a lighter side.

"THE X-FILES" 
[SEASON 3] 
Picking The X-Files' best season was another tough one. But don't worry, I managed to come out of it unharmed. To me, The X-Files' 3rd Season always stood out because some of their best episodes are in this one, allow me to demonstrate: Clyde Bruckman's Final Repose (which is their best episode), Jose Chung's From Out Space (which is their funniest and most enjoyable episode), The Blessing Way and Paper Clip (which ends the 3-parter that started at the Season 2 finale), Pusher and two of some of their best 2-parter episodes (Nisei/731 and Wetwired/Talitha Cumi). Their third season was arguably their breakout season that took the show from being a cult favorite to a mainstream, global phenomenon as well as picking up 2 Primetime Emmy Awards on it's way. Many fans believe this to be the show's best as well and I too Want to Believe.

"24" 
[SEASON 1]
Arguably the most hooking, thrilling and action packed show ever to air. Putting his blood-sucking days behind him, Kiefer Sutherland stars in this dramatic, politically charged, ticking time bomb of a show. Season 1/Day 1 will not only put you in the edge of your seat, it will glue your ass there. I went like 2 days straight watching nothing but 24 and it was all worth it; all the twists and turns were even more effective in 4 in the morning. So grab some popcorn or whatnot and join Jack Bauer as he goes on an adventure that re-defines the word "action" and trust me, he doesn't hold out on the action.

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